KANE - A Short Film
A$9,646
of $9,500 targetyrs ago
Successful on 15th Jun 2015 at 1:09AM.
Lacking emotional stability and struggling with adolescence, reclusive Kane is pushed to the brink by a vicious gang of boys. In seeking retribution, matters spiral out of control and Kane’s fragile world swiftly becomes a living nightmare.
Set in 1980s rural Victoria, KANE is a terrifying portrayal of resentful youth and young manhood that explores the links between isolation, fear and violence.
“What happens when an environment creates an individual, then blames that individual for what it has become?”
Our pre-production is well underway and we have already secured all heads of department, several locations and are beginning to cast. We will be filming from July 8-12th 2015 in the picturesque Victorian town of Lancefield.
Set in 1980s rural Victoria, KANE is a terrifying portrayal of resentful youth and young manhood that explores the links between isolation, fear and violence.
“What happens when an environment creates an individual, then blames that individual for what it has become?”
Our pre-production is well underway and we have already secured all heads of department, several locations and are beginning to cast. We will be filming from July 8-12th 2015 in the picturesque Victorian town of Lancefield.
Director's Statement
I grew up in Foster, South Gippsland in the 80s and 90s and a lot of this film is based on those experiences. I always had such a strong sense of isolation and, if I’m being honest with myself, fear. My teen years (like for most of us) were really tough and awkward. I wasn’t doing well at school, my parents divorced and I really grappled with emotions and changes within my body. There’s something really primal about that time, before you’re sufficiently self-aware and can analyse the way you feel, it’s so palpable. Growing up in the country was great but I really wanted to make a tragedy exploring those tougher themes and look into the darker side of human nature.
I also wanted to create a paradoxical protagonist. Kane is young, vulnerable and real but troubled and, when backed into a corner, capable of heinous actions. I want to challenge the audience to relate to or empathise with such a character, as I believe as a society we tend to conveniently package people into the ‘good’ or ‘bad’ pile – life’s not so black and white. It’s a dangerous position for the audience, as we must then acknowledge our own ability for such acts of violence.
Ultimately, the film is a dramatisation that intends to terrify like a classic horror, contrasted with the stark reality of the characters and the environment.
Most of the visual inspiration, characters and experiences the film is based on is from 1980s rural Victoria, and I wanted to stay true to that and, while this kind of story could take place in contemporary Australia, I think the period lends itself perfectly to the themes. The town and the environment become a character of their own.
“The way you see people is the way you treat them, and the way you treat them is what they become”
“There is no crime of which I do not deem myself capable"
- Goethe
I also wanted to create a paradoxical protagonist. Kane is young, vulnerable and real but troubled and, when backed into a corner, capable of heinous actions. I want to challenge the audience to relate to or empathise with such a character, as I believe as a society we tend to conveniently package people into the ‘good’ or ‘bad’ pile – life’s not so black and white. It’s a dangerous position for the audience, as we must then acknowledge our own ability for such acts of violence.
Ultimately, the film is a dramatisation that intends to terrify like a classic horror, contrasted with the stark reality of the characters and the environment.
Most of the visual inspiration, characters and experiences the film is based on is from 1980s rural Victoria, and I wanted to stay true to that and, while this kind of story could take place in contemporary Australia, I think the period lends itself perfectly to the themes. The town and the environment become a character of their own.
“The way you see people is the way you treat them, and the way you treat them is what they become”
“There is no crime of which I do not deem myself capable"
- Goethe
How The Funds Will Be Used
Films cost a lot of money to get off the ground, and your support will help us in many different areas such as;
- Location costs (hiring of locations, agreements, safety control)
- Transport and accommodation costs for cast and crew
- The hire of lighting and sound equipment
- The hire of professional lighting technicians and a sound recordist
- Prop and costumes design and creation
- Post-production sound and colour-grade
- Catering for the cast and crew
- And much, much more!
A significant portion of the money will also be spent locally in Lancefield on things such as location fees, accommodation and catering. We'll also be looking to involve some kids from the local area in the film - a great opportunity that doesn't often come about for country kids.
Below is a breakdown of how we will use these funds.
Camera & Lighting: $3,000
Sound: $1,000
Production Design: $3,000
Costume / Make Up: $500
Locations & Safety: $1,000
Catering: $1,000
- Location costs (hiring of locations, agreements, safety control)
- Transport and accommodation costs for cast and crew
- The hire of lighting and sound equipment
- The hire of professional lighting technicians and a sound recordist
- Prop and costumes design and creation
- Post-production sound and colour-grade
- Catering for the cast and crew
- And much, much more!
A significant portion of the money will also be spent locally in Lancefield on things such as location fees, accommodation and catering. We'll also be looking to involve some kids from the local area in the film - a great opportunity that doesn't often come about for country kids.
Below is a breakdown of how we will use these funds.
Camera & Lighting: $3,000
Sound: $1,000
Production Design: $3,000
Costume / Make Up: $500
Locations & Safety: $1,000
Catering: $1,000
The Challenges
Where do we start!
Being able to create the film we want on a limited budget is a challenge in itself. But we don't like to think if this as a challenge, we think of it as a opportunity.
Other opportunities we are working through include;
Sourcing locations - The Victorian countryside is the backdrop of this film and we want to source and hire authentic locations in and around Lancefield. Your money will help us with this challenge.
Finding crew - We want to find the best crew for as little money as possible and allow them to work to the best of their abilities under tight restrictions.
Casting - finding the right cast to bring this story to life is always difficult, they may not be based in Melbourne.
Distribution - Finally, bringing the film to audiences through screenings and festivals is an exciting opportunity for us, but also has it's challenges.
See the 'how the funds will be used' section below for more information on how we will use funds to make KANE happen!
Being able to create the film we want on a limited budget is a challenge in itself. But we don't like to think if this as a challenge, we think of it as a opportunity.
Other opportunities we are working through include;
Sourcing locations - The Victorian countryside is the backdrop of this film and we want to source and hire authentic locations in and around Lancefield. Your money will help us with this challenge.
Finding crew - We want to find the best crew for as little money as possible and allow them to work to the best of their abilities under tight restrictions.
Casting - finding the right cast to bring this story to life is always difficult, they may not be based in Melbourne.
Distribution - Finally, bringing the film to audiences through screenings and festivals is an exciting opportunity for us, but also has it's challenges.
See the 'how the funds will be used' section below for more information on how we will use funds to make KANE happen!
PAPERWORK PRINTED
Printing can cost a lot, and there is always buckets of scripts, location agreements, call sheets and cast agreements to print out for set. Thanks for helping us get this organised! You also receive: - Our eternal love - A huge thanks on our Facebook page
6 chosen
Est. delivery is Jul 15
PURCHASED A PROP
Our production designer loves you because you just helped us buy the materials needed to create a vital prop for the film! You also receive: - Our eternal love - A huge thanks on our Facebook page - An online copy of the final film
9 chosen
Est. delivery is Jul 16
HIRED A MAKEUP ARTIST
Make-up is essential for any short film. You have just hired our make-up artist for an hour, to help our characters come to life. Thanks so much! You also receive: - Our eternal love - A huge thankyou on our Facebook page - An online copy of the final film - A thankyou in the credits
6 chosen
Est. delivery is Jul 16
LOCKED IN A LOCATION
Wow, you really are a champ! You have just helped us hire a location for the film! You also receive: - Our eternal love - A huge thankyou on our Facebook page - An online copy of the final film - A thankyou in the credits - A copy of the script - A copy of the KANE movie poster
0 chosen
Est. delivery is Jul 16
TRANSPORT TO SET
You paid for us to get to set in beautiful country Victoria! You also receive: ALL OF THE ABOVE REWARDS plus..... An invite to the cast and crew screening of the film. (please note travel and accommodation costs not included)
5 chosen
Est. delivery is Jul 16
COSTUMES FOR A CHARACTER
You have just helped purchase and create a full set of costumes for one of our characters. You also receive: ALL OF THE ABOVE REWARDS plus........ A personally framed still from the film!
3 chosen
Est. delivery is Jul 16
ACCOMMODATION FOR CREW
Wow, you really are a champion and an essential part of the film! Not only have you given money back to the Lancefield community, but you have helped accommodate the WHOLE CREW for the shoot! You also receive: ALL OF THE ABOVE REWARDS plus........ The opportunity to visit the set! (please note travel and accommodation costs not included)
0 chosen
Est. delivery is Jul 15
EXECUTIVE OF THE YEAR
You are now a big part of KANE. In fact, an integral part of the team. As an executive producer you receive: ALL OF THE ABOVE REWARDS plus An executive producer credit.
0 chosen
Est. delivery is Jul 16
OUR BUSINESS PARTNER
You have reached the top. You have made this film happen! As part of the business partner reward you receive: ALL OF THE ABOVE REWARDS plus, A professional promotional film for your business. (conditions apply, please don't hesitate to contact us to discuss options)
0 chosen / 3 available
Est. delivery is Jul 16